A higher pixel pitch creates a greater distance between the pixels and a lower resolution. The smaller the pitch, the higher the pixel density which yields a higher resolution. If you’re unfamiliar with pixel pitch, it’s the distance between pixels measured from the center of one pixel to the center of the next. Well, maybe one: Don’t have shitty sound. Mix aspect ratios, mix resolutions, mix primes and zooms, mix anamorphic and spherical, mix film and digital. It doesn’t have to be one format throughout the entire process. WHY do we want a shallow depth of field? WHY do we need Steadicam at this moment? WHY do we need this framing?ĭefine your story. Each project should have its own look and its own resonating visual grammar.Īs a director, cinematographer, camera operator, and producer, don’t choose a look because it’s “what Sven Nykvist, Freddie Young, Roger Deakins or what any other cinematographer out there has done." Ask yourself WHY you should choose a certain camera, lens or resolution. recording a higher resolution like 4K so you can “punch in” or “reframe” during post when you’re delivering in HD or shooting RAW to maximize dynamic range for the color grade. It doesn’t have to be one format throughout the entire process.įormat, resolution, color bit depth, frame rate, lenses and camera type are all tools to tell story.
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